Anton's bold, sculptural forms and lush textural surfaces make a strong statement, yet they do not overpower. She tempers their exaggerated scale and silhouettes with quiet color palettes, in hues stolen from nature: snow, sky, mud, sand, algae. The high-fired clay finishes are mad idiosyncratic with eucalyptus pods, lotus root slices, and other organic elements pressed into clay that she explains "mess up" and sensualize what might otherwise be another hard-edged modern object.
